A Shining Knight is out.

http://www.extasybooks.com/a-shining-knight/
Check out this Gay Time Travel Romance (with hot man on man action) by my Alter-ego Rebecca Locksley
Ebook just out from eXtasy Books

If you share this with interested friends I will be deeply grateful.

http://www.extasybooks.com/a-shining-knight/

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Inquiring minds want to know!

So on the last day of the year a little old man potters into the waiting room  – carrying a pick.  I’m so curious and just a tiny bit concerned. What sort of person carries a pick on the train? Is he a miner? A madman? An assassin?  .

The old guy looks rather sweet.   He seems to know me – we must have spoken before.

“They making you work even now,” he says sympathetically.

“I see you are too,” I say, hoping for more information.

“Oh I’m still working on that primary school. But I’m a volunteer and can stop whenever I like,” he says and potters off down the platform.

WITHOUT GIVING ANY EXPLANATION OF THE PICK! ARGGHH!

I hope the primary school is still there when the children get back from holidays.

Happy New Year to you All.

 

Alison Goodman -Interview

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Alison Goodman first hit the New York Times Best Seller list with the Eon books. Now she’s back with Lady Helen and The Dark Days Club.

From the blurb –  London, April 1812. On the eve of eighteen-year-old Lady Helen Wrexhall’s presentation to the queen, one of her family’s housemaids disappears-and Helen is drawn into the shadows of Regency London. There, she meets Lord Carlston, one of the few who can stop the perpetrators: a cabal of demons infiltrating every level of society. Dare she ask for his help, when his reputation is almost as black as his lingering eyes? And will her intelligence and headstrong curiosity wind up leading them into a death trap?”

If you like the sound of this, read on …

Tell us about The Dark Days Club.

The Dark Days Club (the Australian title is Lady Helen and the Dark Days Club) is the first book in a supernatural adventure trilogy set in the Regency. I think of it as Georgette Heyer meets the paranormal girl power of Buffy. Each book is set in one of the society seasons during 1812: Book 1 is set in London for The Season; Book 2 is in Brighton during the summer Season; and book 3 is in Bath for the winter Season. The trilogy is also historically accurate with some cameos from historical figures such as Lord Byron and Beau Brummell.  However, I have to admit that the demons I have created, called Deceivers, may not be so historically accurate.

What initially inspired you to write it?

The idea for the book came to me while I was on a tram coming home from a writers’ conference. I had been to a session about researching the Regency era, and as I sat looking out of the tram window, I idly asked myself what kind of Regency novel would I like to read now? The answer came in a rush: a mix of everything I loved about Jane Austen and Georgette Heyer together with the excitement and delight of a supernatural adventure. I scrabbled for a pen and paper and by the time I got to my tram stop, I had the outline of The Dark Days Club.

What are you currently working on?

At the moment, I’m waiting for the copy edit of The Dark Days Pact, Book 2 in the series, which is due for release this coming Christmas/New Year. I’m also working on Book 3, and I’ve just completed a novelette from Lord Carlston’s point of view (the main male character in the series), which will be available soon.

How do you start out with your stories?  In the middle, beginning or end?

I write from beginning to end, and don’t jump ahead. My books always have an element of suspense to them and I find that I can build that more effectively if I write the book chronologically.

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What’s your writing process for your solo books? Do you throw a lot away?  Do you write every day?  Are you a planner or do you fly by the seat of the pants?

Before I actually start writing, I spend a lot of time working on structure and building a strong through-line of cause and effect. Alongside that, I also spend quite a while researching. In fact, for the Lady Helen series, I researched the Regency era full-time for over eight months before I began writing the first book. So, while I am working out structure and doing my research, I also write the first chapter to develop voice and build a solid launching point for the novel. Once all of these three elements are in place then I am ready to roll. Generally, I write every day, even if life gets in the way and I only have time to fiddle with a few sentences. That way I keep the momentum. Of course, when a deadline is approaching, then I can be at the computer for ten hours!

I remember hearing your talk about your interest in gender relations in the Regency Romance.  Did you manage to explore it in The Dark Days club?

Yes, female empowerment and gender relations are two of my passions, and the Regency is a great setting in which to explore these themes. Women were, legally, chattels and were thought to have little intellectual capacity although there were many women at that time whose writings, art and social endeavours countered these misogynistic beliefs. In The Dark Days Club, the character of Helen’s uncle is a man who holds these beliefs, and I have based his attitudes on the writings about women that appeared in major newspapers and journals of the time. They are at once hilarious and absolutely awful.

 How do you go with social media?  What do you do to increase interest in your work and how much time do you spend on it? Any tips?

I have a website, a Twitter account, an Instagram account and Facebook author page. I’m not constantly on any of these platforms, but I do offer a writing tip of the day on Twitter, and post photos regularly on Instagram. I also post a journal of what’s been happening, book wise, on my website as well as maintaining a calendar of upcoming appearances. I don’t like to post minutiae about my life (I don’t want to bore everyone senseless) so I generally post when I have some news or I have an interesting picture to share. My focus is on writing the books. My tip would be to choose which of the platforms suit you best and post on those rather than try do them all. Also, if possible link the accounts so that posting on one will post on the others as well.

For anyone interested, here are my platforms:

Website: http://www.darkdaysclub.com

Twitter: @Alison Goodman

Instagram: @alisongoodmanauthor

Facebook: http://www.Facebook.com/AlisonGoodmanAuthorPage

 

What 3 artworks (books, music, visual arts, films) have most inspired you?

Only three? Okay, let me try and narrow it down.

Anything by Joss Whedon, but in particular the Buffy TV series and Firefly. Genre blending at its best.

Georgette Heyer’s Regency novels. So much fun.

The art of Francis Bacon, which is seriously disturbing, and the beautiful Regency portraits of Lawrence.

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What is Cli Fi?

What is CLI-Fi?

 

 

This week I asked Cat Sparks about to define (Climate Change fiction) in an interview in SFFWorld.

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http://www.sffworld.com/2016/06/interview-with-cli-fi-author-cat-sparks/

Cat Sparks is a multi-award-winning author, editor and artist whose former employment has included: media monitor, political and archaeological photographer, graphic designer, Fiction Editor of Cosmos Magazine and Manager of Agog! Press. In 2012 an Australia Council emerging writers grant enabled her to participate in Margaret Atwood’s The Time Machine Doorway workshop in the U.S. She’s in the final throes of a PhD in climate change fiction. Her short story collection The Bride Price was published in 2013. Her debut novel, Lotus Blue, will be published by Talos Press in February.

Cat Sparks

 

Adam Browne – Interview

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If you want to go somewhere you’ve never gone before – try Adam Browne’s writing.  I’ve plunged through the solar system in glorious adventure with Cyrano De Bergerac in Pyrotechnicon, watched a wonderful animation by Adam Duncan based on one of Adam’s short stories called The Adjustable Cosmos (Hapsburg Emperors in the stars) and now I’m all prepared for the launch of his next book The Tame Animals of Saturn on June the 9th.

Adam, tell us about the Tame Animals of Saturn https://www.facebook.com/events/214355685622863/

It was inspired by the writings by and about Jakob Lorber, a 19th Century Austrian mystic who was given to know the animals and plants of the Solar System. It’s richly illustrated.

I hope to revive interest in him, not as a Christian or a theosophist – he was both – but as a beautiful and tireless fabulist.

What was your initial inspiration for the book?

Thirty years ago, in The Book of Imaginary Beings, I read of Lorber’s ‘Leveler’. Borges writes with great dry wit of the immeasurable service the Leveller does man. Its pyramidal legs are made by God to stomp out roadways in preparation for the tarmac-layers and so on. It’s only with difficulty that I acknowledge there might be some people who aren’t immediately captivated by things like this. Lorber has stayed with me ever since. The book was a side-project, but it was one I had to do.

The Leveler by Adam Browne

The Leveler by Adam Browne

You love to explore the odd laneways of speculative fiction. How do you find your way into these laneways?

When I was young, science fiction seemed to be about freedom. There seemed to be few rules – just a playground for ideas. I remember being disappointed when a writer or filmmaker borrowed from elsewhere.2001: a space odyssey was a model of originality, but rather than copy its example, filmmakers copied the film itself. It’s still happening now, likely under the guise of homage – but it’s antithetical to the whole sf ethos. Anyway – I dunno – I don’t see my writing as weird anyway, to be honest. I haven’t admitted this before, but I was surprised when people called my stories New Weird or whatever. For me, they were just the stories I wanted to write.

Thomas Edison, en route to Saturn by Adam Browne

Thomas Edison, en route to Saturn by Adam Browne

What’s your writing process? Do you throw a lot away? Do you write every day? Are you a planner or do you fly by the seat of the pants?

My stories start at the start. There’s some initial idea – with an old one, for instance, called Neverland Blues, it started with the idea that Michael Jackson had fled his problems by turning himself into a spaceship. The story accreted from that. I write from the seat of my pants. And yes, I throw a lot away. Each story has a discards file which is inevitably much bigger than the story itself.

How do you go with social media? What do you do to increase interest in your work and how much time do you spend on it? Any tips?

Yeah social media. It’s such an easy way to advertise your work but maybe not so effective. Still, although there must be better ways to do it, the urge to become skilled in marketing remains a velleity.

Facebook is my guilty obsession. At its best it’s a wunderkammer, and a way for me to vent excess imagination and gags – also an excellent way to resume or maintain friendships … but I suspect the reason I find it so seductive is because it’s all about me. Almost everything I read on it is in some way related to something I’ve already said. That’s the way it’s designed. It’s the equivalent of those kids’ books where your child’s name is inserted into the text. It enables my narcissism.

The bhura flower, native to Saturn by Adam Browne

The bhura flower, native to Saturn by Adam Browne

What artworks (books, music, visual arts, films) have most inspired you?

I’ve been thinking recently about how 80s art-pop was a sort of gateway drug into the arts. Devo, Talking Heads etc etc. I remember being delighted by a performance art piece that made its way onto Countdown – a pingpong game with people’s heads sticking out of the table, players in whimsical dress, a bit of a ceremonial vibe. It wasn’t the piece so much as that such stuff was possible… My father took me to all the great art films of the 70s too. 2001, Satyricon, Tarkovski etc etc. There was 2000AD, the British comic antho – then Heavy Metal magazine – and Raw. There was the French comic book artist Moebius. And Fantastic Planet – then the art of Roland Topor, who designed that film – I’m afraid I’m just listing the usual suspects here – in which case I might as well mention PK Dick, whom I discovered when I was 15, on a trip to the Northern Territory: the first story of his I read was ‘Nanny’. Such a gem. It’s hard to find writers these days who delight me as much as he did. Martin Amis is one, but I have to be careful not to copy his style. Another usual suspect: WS Burroughs – a ‘writer of good bits’, as Amis called him – for me, the good bit, the inspiring bit amid the dross, was the vignette with the Sailor, in the bar, an astronaut, it felt like, purchasing a drug stored in dull grey tubes of lead, cracking it open, his face melting to absorb it…

And now for the tabloid question.  What is your relationship with Bessie Bottomley, Librarian extraordinaire?  https://www.facebook.com/profile.php?id=100009898788233

I find Bessie Bottomley to be very adept at satisfying my holds.

The Tame Animals of Saturn is a available from http://www.peggybrightbooks.com/new/

Website http://adambrowne.blogspot.com.au/

Facebook https://www.facebook.com/ontogeny.recapitulates.phylogeny

Wikipedia https://en.wikipedia.org/wiki/Adam_Browne

photo by Linda Jullyan

photo by Linda Jullyan

Interview with Michael O’Brien – Vice President of Chaosium Games

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I’ve always loved Chaosium games – the rich cultural backdrop of Runequest and the dark gothic horror of Call of Cthulhu. Most of my roleplaying has been done in these two worlds. I was thrilled to discover a friend has become part of a new management team to reinvigorate the Company.


Michael O’Brien, could you tell us about the history and products of Chaosium, Inc?

Chaosium is an iconic company in roleplaying games – it’s one of the oldest publishers still around (founded in 1975), and has had a long track record of publishing interesting, innovative and often ground breaking material in tabletop gaming.

Chaosium’s most famous product lines are Call of Cthulhu, the horror investigation game set in H.P. Lovecraft’s Cthulhu Mythos, and the fantasy RPG RuneQuest. Both games were and still are pretty revolutionary in their approach. RuneQuest changed the paradigm of fantasy RPGs by having a gritty, realistic combat system where even a mighty warrior could be felled by a lucky bowshot (an outcome that becomes increasingly impossible in level-based games like Dungeons & Dragons). It is also set in Greg Stafford’s richly-imagined campaign world of Glorantha. Call of Cthulhu is of course distinctive because it’s the one RPG where characters who are librarians and the like are the heroes.

We’ve just published the seventh edition of Call of Cthulhu, and are bringing out a new edition of RuneQuest later this year.

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One of the things I love about Chaosium games is that they seem to be founded on the idea of Order versus Chaos. Would you say this is true and do you agree that this is a more palatable world view to the modern player than the idea of good versus evil?

The RuneQuest RPG deliberately eschewed the concept that the player characters are “good” and the monsters they encounter are necessarily “evil”.  In his earliest published adventures, Greg Stafford pointed out to Game Masters that if the adventurers turn and flee screaming, to not forget that the monsters get experience rolls too. In other words, the creatures they encounter have their own lives, motivations and connections, and intelligent ones have societies and cultures. This was ground breaking stuff in the early days of RPG, where even “good” characters seemed to just go round a dungeon killing monsters and taking their stuff.

“Chaosium” itself gets its name from the Oakland Coliseum, which wasn’t far from where Greg Stafford was living at a particularly chaotic time in his life. I look after our newsletter “Ab Chaos”, which includes the note (originally written by Greg) that it is “planned to be informal and irregular: we are, after all, not the Orderium”.
How does an Australian come to be Vice–President of Chaosium, an American games company?

Chaosium has always been something of a boutique company, and has come close to financial disaster several times in its long history. I, and several colleagues from Moon Design Publications, came on board at Chaosium mid-last year to help the company out of its latest troubles. This stemmed from two Kickstarters that had been badly mismanaged. A recent article at Geek & Sundry (with the clickbaity title “Cthulhu Company Kickstarted Itself to Death, Then This Happened”) tells the tale of how we turned things around, if anyone wants more detail: http://geekandsundry.com/cthulhu-company-kickstarted-itself-to-death-then-this-happened

Was Moon Design Publications set up especially for Chaosium?

Moon Design Publications is a company set up by my colleague Rick Meints in the mid-1990s, which began by reissuing RuneQuest material under license. Later Moon Design actually acquired the rights to the game RuneQuest and world of Glorantha from Greg Stafford, and in 2015 won the Diana Jones Award, one of the gaming industry’s highest accolades, for the coffee-table book The Guide to Glorantha.

Moon Design consists of Rick, who lives in Ann Arbor Michigan; Jeff Richard, who is American but lives in Berlin; Neil Robinson, who is originally from Canada, but lives in Seattle; and myself, in Melbourne, Australia (although I lived in the Middle East for many years until recently). We first met at games conventions in the UK.

I gather some of Chaosium’s founding fathers have returned with your team.

Yes, Greg Stafford and Sandy Petersen returned to lead in the company in June last year in an announcement titled “The Great Old Ones have Returned…” They were both shareholders before this, but had not been actively involved for many years.

Greg said he was “puttin’ the band back together” – and four of us in Moon Design later came on board both as part-owners and as the new management of the company. We have known and collaborated with Greg and Sandy on creative projects for many years. (I first met them in the mid-1980’s). Sandy cheerfully greeted this with the statement “I for one welcome our new Lunar overlords”. He and Greg are now members of the company board (Greg is chair) and creative consultants to the company, but day-to-day management is in our hands. Our first priority was sorting out the Call of Cthulhu Kickstarter.

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Tell us about the latest Kickstarter campaign.

It was a lot of work (and money) turning the Call of Cthulhu 7th edition Kickstarter around, but backers have just started receiving their books, three years after the Kickstarter was launched. In contrast, last December we ran another Kickstarter to reissue RuneQuest 2nd Edition. Unlike the protracted Call of Cthulhu debacle, we had the rewards printed and ready for shipping in just over three months. We thought this was a very practical and capable way of instilling confidence in our fans that the new management of Chaosium is doing things very differently to the old.

Do you write or hope to write as well as manage?

I am involved in the creative side of the company, as well as being part of the management team. At the moment I’m working on a couple of board games which we’ll be releasing later this year, and have a hand in some projects for Call of Cthulhu and the new edition of RuneQuest.

Are there any opportunities for writers to become involved? 

Certainly! We are not currently taking submissions at the moment while we review our processes, but this will soon change. We’ll be actively seeking out writers for our fiction line, as well as the game lines we support.

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Can you tell us about any future plans for Chaosium Inc.?

I definitely think we’ve turned the corner and the future is looking bright for Chaosium – among other things, this year we are launching the new edition of RuneQuest (and even have original author Steve Perrin back on board with the writing team, along with Ken Rolston), are partnering with Sandy Petersen’s own game company to bring out The Gods War, a sequel of sorts to his Cthulhu Wars, set in Glorantha, and German games mastermind Reiner Knizia is working with us to bring out two new board games. This is in addition to the production schedule for new Call of Cthulhu stuff, Jim Lowder‘s sterling efforts as our consulting editor to restore the fortunes of the Chaosium fiction line, and our recently-launched Organized Play program.

Chaosium website: http://www.chaosium.com

Michael O’Brien also hosts a Podcast @

Tales of Mythic Adventure Podcast: http://www.glorantha.com/mythicadventure

MOB headshot

Aurealis Award winner Trent Jamieson

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Congratulations on winning the 2015 Aurealis Award for both Best Fantasy and Best Horror novel! https://aurealisawards.org/  That’s amazing.

Thanks! I was completely surprised, and delighted.

It’s about Mark – a Day Boy who works for a Vampire, running chores, protecting his master during the day. It’s his last year as a Day Boy and he must decide how he is going to enter adulthood as man or monster or something not quite either. And, things don’t go smoothly at all. I kind of pitched it as To Kill a Mockingbird meets Dracula – which is a bit cheeky, but kind of the mood that the book went along. My mum didn’t like it because it was too violent – and she’s read all my stuff. I’ve promised her the next book is very different – but you never know with books.

Can you pin-point an initial inspiration for the book?

A very strong image I had of two boys smoking in a crypt flicking cigarettes at a coffin. I knew at once that they worked for vampires, but I wanted to know what they were like, how they had gotten so comfortable, even brazen, in their job. Everything sprang from that.

What are you working on at the moment?

A novel called the Stone Road. I’m just picking through a messy first draft and trying to work out what it’s about – which I think I know, now, but we’ll see. There are many drafts ahead.

You’re clearly a fan of Lovecraft and also devoted to Brisbane where you now live. Brisbane is nothing like the gloomy windy shores of New England. Is Brisbane a gothic place in your mind? What makes it so?Trent-Photo

Funnily enough I’m not that into Lovecraft other than the cosmic horror, though I tend to play around with it a lot less seriously in my work. But I adore Brisbane. It is not a gothic place in my mind at all, in some ways, like most cities, I guess, it’s a blank slate. But that’s just an invitation to artists. Brisbane is a place that drives some great fantasy writing. You’ll be seeing new fantasy and horror novels set in Brisbane by Angela Slatter and Gary Kemble in the next twelve months or so, and that excites me. I think it’s a city worth writing about, and you know, what makes a city great comes down to the community that lives in it, and the stories they tell. The more stories and art we have the richer the place we live in. Brisbane sings with stories, and I’m proud to be a part of that.

What’s your writing process for books? Do you throw a lot away? Do you write every day? Are you a planner or do you fly by the seat of the pants?

I am slow and non-linear. And I slap scenes together and see how they work. I write thin – my early drafts are whisps – and then too thick, and then have to thin again. I don’t plan, but I do a lot of rewriting, structural and line-by-line – I don’t know if you’ve noticed here, but my punctuation is awful! I try and write every day, even if it’s only a few words. I don’t tend to do marathon sessions until I am editing and deadlines come into play. Otherwise it’s just chip, chip, chip and see what you end up with.

How do you go with social media? What do you do to increase interest in your work and how much time do you spend on it? Any tips?

I have gotten worse at this over the years. I’m a bit weary of social media as a platform, or maybe just weary of the sound of my voice. As a place to have fun it’s great, but as a selling tool for me, I’m not so sure. I don’t spend nearly enough time on increasing interest in my work. But I am always open to anything interesting when it comes along, promotion wise. What I do do, I try and have fun with. If you’re going to promote you need to be creative, honest, and have fun. Writing books is the thing that interests me, and reading. Everything else is just waving flags (unless, you’re great at it, and there are some really wonderful self promoters out there) and hoping someone notices.

What 3 artworks (books, music, visual arts, films) have most inspired you?

I am terrible at narrowing things down to favourites. They always change, because I keep reading and listening, and you forget your favourites (well, I do, anyway), and then you encounter the work again and you remember that, yes, you listened to that album non-stop for a year. But there is a constant churn of inspiration. Currently it’s Ursula K. Le Guin’s Tombs of Atuan, N.K. Jemisin’s book The Fifth Season (which I am reading at the moment), and Cormac McCarthy’s Blood Meridian.

All of which are feeding into the new book whether I want them to or not.

http://www.trentjamieson.com/

Trent can be contacted at teacupthrenody at hotmail dot com

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